The Dürer rhinoceros story is such a perfect metaphor for what digital artists do now. That tension between documentation and invention feels super relevent when people expect 'authenticity' but also want something fresh. I appreciate how Tuori talks about digging deeper into references rather than staying in the shallow pool because that's exactly where alot of work starts feeling derivative. When I first saw his embroidery technique a few months back, it stood out instantly because it has that labor-intensive quality most digital stuff totally skips over.
The Dürer rhinoceros story is such a perfect metaphor for what digital artists do now. That tension between documentation and invention feels super relevent when people expect 'authenticity' but also want something fresh. I appreciate how Tuori talks about digging deeper into references rather than staying in the shallow pool because that's exactly where alot of work starts feeling derivative. When I first saw his embroidery technique a few months back, it stood out instantly because it has that labor-intensive quality most digital stuff totally skips over.
This is a great interview
i love interviews
wonderful!
Henry's art inspires me a lot
TYSM